Monday, 8 October 2012

Analysis of two Airtel Advertisements


Har ek friend Zaroori hota hai

  
SNo.
Airtel 1: Har k friend zaroori hota hai
1
Target Market Segment
Youngsters, College-going population (Age 17-23)
2
Objectives
1. Establishing a brand image which is vibrant, young, trendy, hip and keeps friends connected

2. Penetrate the rapidly increasing target segment of college going youth
3
Creative/Positioning Strategy
Focusing on the concept of friendship to create an emotional connect with the youth
4
Message Content
Effective use of Emotional Appeal
5
Message Structure
Talking about friendship throughout and keeping the mention about the brand for the last
6
Message Format
Utilizing music and images from everyday student life with friends
7
Message Source
Message comes from the mouth of regular boys and girls next-door, no celebrity was involved

Jo Tera Hai Wo Mera Hai

SNo.
Airtel 2: Jo Tera Hai Wo Mera Hai
1
Target Market Segment
Youngsters, College-going population (Age 17-23)
2
Objectives
1. Communicating the features of the plan: Balance transfer facility
2. Communicating the internet access feature
3. Establishing a brand image which is vibrant, young, trendy, hip and keeps friends connected
4. Penetrate the rapidly increasing target segment of college going youth
3
Creative/Positioning Strategy
1. Focusing on the concept of friendship to create an emotional connect with the youth
2. Listing out various ways in which mobile internet could be utilized to connect with friends, and in the process establishing a favourable image of the brand
4
Message Content
Effective use of Rational Appeal as well as Emotional Appeal
5
Message Structure
Mentions the Internet connectivity feature in the first shot. Carries on linking the concept with friendship and mentions the brand in the end.
6
Message Format
Utilizing music and images from everyday student life with friends
7
Message Source
Message comes from the mouth of regular boys and girls next-door, no celebrity was involved
8
Any other theory relevant


Sunday, 7 October 2012

Advertising Design: Theoretical Frameworks and Types of Appeals

The chapter deals with the designing of an advertising campaign by the account executives. The chapter is divided into two parts:

In the first part, we will see three different advertising theories or approaches that guide the advertising campaign design. These theories are

Advertising Theories
  1. Hierarchy of Effects Model
  2.  Means-End Theory
  3.  Visual and Verbal Imaging
Hierarchy of Effects Model


The hierarchy effect model deals with the six steps that a buyer follows while making a purchase decision. The model has number of similarities with the tri component attitude model. These six steps of persuasion are as follows:
  • Awareness
  • Knowledge
  •  Liking
  • Preference
  • Conviction
  • Purchase





Means – End Theory
The means end theory states that an advertisement must contain a message or means that leads the
consumer to a desired end state. It is a basis of a model called MECCAS = means end conceptualization of Components for Advertising Strategy. The five elements stated in the model are as follows:
·         Products Attributes
·         Consumer Benefits                                                                    
·         Leverage Points
·         Personal Values
·         Executional Framework



Types of personal values

Equality
Inner peace
Self-fulfillment

Wisdom
Excitement
Mature love
Security
Happiness
Freedom
Personal accomplishment
Self-respect
Comfortable Life
Fun, exciting life
Pleasure
Sense of belonging

Social Acceptance


E.g.: Means-End Chain for Milk

Attributes
Benefits
Personal Values
Low Fat
Healthy
Self-Respect


Wisdom
Calcium
Healthy Bones
Comfortable Life


Wisdom
Ingredients
Good Taste
Pleasure


Happiness
Vitamins
Enhanced ability
Excitement


Pleasure


Fun


Verbal vs. Visual Imaging
1.     Verbal - The greater emphasis is given on words in some of the advertisements in order to evoke the response from the target market
2.   Visual – The visual imagery is considered to be more effective than the verbal message. Visual imagery is stored both as pictures and words in brain and this dual processing increases recall level. Also the visual imagery is considered to be a universal language for the advertisers as an image will depict the same thing for audience belonging to different geographical and cultural settings. However the meaning of a word maybe different for different people. In this respect, the visual imagery is very effective.



In the second part, we will describe seven major types of appeals used by the advertisers.

Fear Appeal
Advertising Appeals
Fear Appeal - Degree of Fear created is considered important by number of advertisers to create desired impact.The way fear works can be described by behavioral response model 



Humor Appeal
     Humor Appeal – The Humor appeal is considered to be very effective to cut  through the clutter
      ·     Used in 30% of the ads
      ·      Should be directly related to customers

Reasons for using Humor in ads
    • Captures attention
    • Holds attention
    • Often wins creative awards
    • High recall scores
    • Consumers enjoy funny ads
    • Evaluated as likeable ads

    Music Appeal: Easily linked to emotions, memories and other experiences music is considered to be very effective in increasing the recall level. A jingle is highly effective in a way that even without visual imagery audience can recall the brand associated with the music. Music gains attention and increases the retention of information as it becomes strongly intertwined with the product
    • Has intrusive value
    • Gains attention and increases the retention
    • Can increase persuasiveness of the ad
    E.g.: TV ad for Matt uses music appeal



    Rational Appeal: Rational appeal follows the assumption that a consumer actively process all the information presented in the advertisement.
    •  Based on hierarchy of effects model
    • Print media is well suited for rational appeals
    • Used by business to business advertisers
    • Well suited for complex and high involvement products 



     Emotional Appeal
     1)    Based on three ideas:
    Emotional Appeal
    •  Consumers ignore most ads
    • Rational ads go unnoticed
    •  Emotional ads can capture attention
    2)  Creatives believe that emotional ads are key to developing brand loyalty
    3)  Works well when tied with other appeals


    Emotions used in ads:
    • Trust
    • Reliability
    • Friendship
    • Happiness
    • Security
    • Glamour/luxury
    • Serenity
    • Anger
    • Protecting loved ones
    • Romance
    • Passion
    • Family Bonds

    Scarcity Appeal: The scarcity appeal tries to convince a customer on the basis of scarcity of a particular product. The scarcity may be in terms of limited availability of product or more often, that product is available only for limited time
    • Based on limited supply
    • Based on limited time to purchase
    • Often tied with promotional tools
    • Encourages customer to take action


    Sexual Appeal
            Sexual Appeal: The sexual appeal is another kind of appeal which has been used in an innovative way by  number of advertisers
    • Breaks through clutter
    • Use has increased in ads
    • Advertisers shifting to more subtle cues




    Structure of an Advertisement
    The majority of advertisements follow a particular structure and tend to contain five elements. These are:
    • The Promise of a benefit (the headline)
    • The spelling out of the promise ( a sub headline)
    • Amplification
    • Proof of claim
    • Action to take
    These five parts of the structure of an advertisement must also be contained in the use of the message strategies and executional frameworks.

    Saturday, 6 October 2012

    Establishing Objectives and Budgeting on the Promotional Program


    Objectives
    §  To recognize the importance and value of setting specific objectives for advertising and promotion.
    §  To understand the role objectives play in the IMC planning process and the relationship of promotional objectives to marketing objectives.
    §  To know the differences between sales and communications objectives and the issues regarding the use of each.
    §  To recognize some problems marketers encounter in setting objectives for their IMC programs.
    §  To understand the process of budgeting for IMC.
    §  To understand theoretical issues involved in budget setting.
    §  To know various methods of budget setting.

    The Value of Objectives
    §  Communications
    o   The advertising and promotional program must be coordinated within the company, inside the ad agency, and between the two. Many problems can be    avoided if all parties have written, approved objectives to guide their actions and serve as a common base for discussing issues related to the promotional program.
    §  Planning and Decision Making
    o   Promotional planners are often faced with a number of strategic and tactical options in terms of choosing creative options, selecting media, and allocating       the budget among various elements of the promotional mix. Choices should be made based on how well particular strategy matches the firm’s promotional objectives.
    §  Measurement and Evaluation of Results
    o   An important reason for setting specific objectives is that they provide a benchmark against which the success or failure of the promotional campaign can be measured. Without specific objectives, it is extremely difficult to determine what the firm’s advertising and promotion efforts accomplished.
    o   One characteristic of good objectives is that they are measurable.

    Determining Promotional Activities

    1)      Marketing versus Communications Objectives
                    Marketing objectives are generally stated in the firm’s marketing plan and are   statements of what is to be accomplished by the overall marketing program within a given time period. Marketing objectives are usually defined in terms of specific, measurable outcomes such as sales volume, market share, profits, or return on investment. Good marketing objectives are quantifiable realistic and attainable.
                    Integrated marketing communications objectives are statements of what various aspects of the IMC program will accomplish. They should be based on the particular communications tasks required to deliver the appropriate messages to the target audience.
                    Managers must be able to translate general marketing goals into communications goals and specific promotional objectives.
    2)      Sales versus Communications Objectives
    a)      Sales-Oriented Objectives

                                                          Fig 1: Factors Influencing Sales
              Major Problem: Carryover effect
    Money spent on advertising do not necessarily have an immediate impact on sales. Advertising may create awareness, interest, and/or favourable attitudes toward a brand, but these feelings will not result in an actual purchase until the consumer enters the market for the product, which may occur later.

    b)      Communication Objectives

                                                      Fig 2: Communications Effect Pyramid

                         Fig 3: Effect of advertising on consumers: Movement from awareness to action

    DAGMAR: An Approach to Setting Objectives
    In 1961, Russell Colley prepared a report for the Association of National Advertisers titled Defining Advertising Goals for Measured Advertising Results (DAGMAR).
    The major thesis of the DAGMAR model is that communications effects are the logical basis for advertising goals and objectives against which success or failure should be measured.
    Colley proposed that the communications task be based on a hierarchical model of the communications process with four stages:
    § Awareness—making the consumer aware of the existence of the brand or company.
    § Comprehension—developing an understanding of what the product is and what it will do for the consumer.
    § Conviction—developing a mental disposition in the consumer to buy the product.
    § Action—getting the consumer to purchase the product.

    1)      Characteristics of Objectives
    • Concrete, Measurable Tasks
    • Target Audience
    • Benchmark and Degree of Change Sought
    • Specified Time Period
    2)      Assessment of DAGMAR
            Criticisms of DAGMAR
    • Problems with the response hierarchy
    • Sales objectives
    • Practicality and cost
    • Inhibition of creativity

    Establishing and Allocating the Promotional Budget

    1)      Establishing the Budget
    While it is one of the most critical decisions, budgeting has perhaps been the most resistant to change. A comparison of advertising and promotional texts over the past 10 years would reveal the same methods for establishing budgets.
    Advertisers also use an approach based on contribution margin—the difference between the total revenue generated by a brand and its total  variable costs. But, marginal analysis and contribution margin are essentially synonymous terms.

    2)      Theoretical Issues in Budget Setting

                                                                            Fig 4
    Assumptions:
           Sales are a direct measure of advertising and promotions efforts.
           Sales are determined solely by advertising and promotion.

    3)      Sales Response Models

                                                                          Fig 5

    4)      Additional Factors in Budget Setting
    • Product Factors
    •  Market Factors
    •  Customer Factors
    •  Strategy Factors
    •  Cost Factors
    5)      Budgeting Approaches

    a)      Top-Down Budgeting

                                                                       Fig 6

    b)      Bottom-Up Budgeting


                                                                           Fig 7

    6)      Other Budgeting Approaches
    a)      The Affordable Method: In the affordable method (often referred to as the “all you-can-afford method”), the firm determines the amount to be spent in various areas such as production and operations. Then it allocates what’s left to advertising and promotion, considering this to be the amount it can afford.
    b)      Arbitrary Allocation: In this there is no theoretical basis is considered and the budgetary amount is often set by fiat. That is, the budget is determined by management solely on the basis of what is felt to be necessary
    c)       Percentage of Sales: Perhaps the most commonly used method for budget setting (particularly in large firms) is the percentage-of-sales method, in which the advertising and promotions budget is based on sales of the product. Management determines the amount by either
    (1) Taking a percentage of the sales dollars or
    (2) Assigning a fixed amount of the unit product cost to promotion and multiplying this amount by the number of units sold.

    Allocating the Budget

    1)      Allocation depends on
    1. §  Market Size
    2. §  Market Potential
    3. §  Market Share Goals
    4. §  Economies of Scale in Advertising
    5. §  Organizational Characteristics

                                    I.            The organization’s structure—centralized versus decentralized, formalization, and complexity.
                                  II.            Power and politics in the organizational hierarchy.
                                III.            The use of expert opinions (for example, consultants)


                                                                               Fig 8